I realise that the last part is not exactly beginner-friendly, but hell - it probably made sense to someone. So, using my automatic stereo width phase inverting top end, you track will automatically fix itself if played on a terrible rig in a bad club One says 'view extra stereo/volume properties'. Theres also a few buttons on the top left of the mixer. New comments cannot be posted and votes cannot be cast. The reason for doing this is : nightclubs which still sum tracks to mono also tend to have terrible acoustics, in these circumstances less reverb & more clarity is a very good thing. My mixer in fl studio 12 does not have stereo separation knobs anymore, and i do not know the cause nor have found any solutions online. ![]() Meaning the mono version will have slightly less reverb. That way - if the track is ever summed to mono the ERs will partially cancel. If you want to enhance mono compatibility even more - you can feed 50% of this ER effect into the opposing speaker, but phase inverted. Also it tends to have slightly better mono compatibility. Though it’s in its beta version, it’s still one of the best stem separation tools we’ve heard, and excels particularly at lifting drums and vocals from mixes. This ER, hard panned, can give better a more convincing sense of width on some instruments. (Image credit: Gaudio ) Gaudio Studio is a browser-based service that can be used by anyone to separate stems absolutely free. I also quite often use a variant of this top-end-widening, which makes use of an early reflection (from a reverb), rather than just using a simple 5 ms delay. If you try and stereo widen / enhance something in the mid, like a snare, it's usually going to leap out of the mix quite weirdly. The benefit of only affecting the top end is - usually effect you are aiming for a sense of air and space if you are reaching for 'stereo widen' type effects. Themes - Now include customizable audio frequency-to-color customization. In a mix, there should be a balance between these two channels. This method is used in order to separate the 2 channels. As an example, some producers keep certain instruments on the left side, while they set the others on the right side. Stem Separation - From the Audio Clip Menu, choose 'Extract stems from sample' to split audio into component tracks (Drums, Bass, Instruments and Vocals). There are producers and sound engineers that use stereo separation in unique ways. I dont use FL Studio, but I imagine you can assign a keyboard. This way - the right is 'on time' and the right is 'wet', IE : delayed by 5ms or so. Themes - The Sounds Tab now follows the main FL Studio Theme. In FL Studio, below the effects rack in the master track there is a stereo separation knob. so one chain is panned hard right, and the other chain uses a delay, and a utility plugin to select just the left channel (and pan it left in the chain control). But I would use a rack to deliver a straight left, and a delayed right. IE - all frequencies above 12k, and run those through a delay effect. At the very simplest I would 'extract' the top end via a very shallow slope. I have a number of tricks to get enhanced stereo out of a very mono track. The middle (default) position is disabled. ![]() Your 'stereo' track would be slightly behind the beat. Separation - Allows you to enhance or reduce existing stereo effects (check the phase meter shows out-of-phase). I would be wary of slapping a simple delay on with those timings.
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